Dekonstruksi elemen horor dalam kumpulan cerpen Sihir Perempuan karya Intan Paramaditha Deconstruction of horror elements in the short story collection Sihir Perempuan by Intan Paramaditha
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Abstract
This study reveals the deconstruction of horror elements in the short story collection Sihir Perempuan by Intan Paramaditha. The elements are the monster and art-horror elements formulated in Noël Carroll's theory of horror. This research uses a deconstruction approach. The material objects are the short stories "Pemintal Kegelapan," "Vampir," and "Jeritan dalam Botol" from the Sihir Perempuan collection. The analysis technique used is interpretive interpretation. This study draws upon Noël Carroll's horror genret heory and Jacques Derrida's deconstruction. As a qualitative descriptive study, findings are presented in narrative form. The results show that the author deconstructs both monster and art-horror elements. The monster, typically used in conventional horror as a symbol of external threat, becomes a representation of women's suffering caused by social systems. Art-horror, usually employed to evoke fear and disgust, undergoes a shift in meaning, becoming a complex emotional experience of empathy and acceptance of suffering. These forms of deconstruction emphasize that horror in Sihir Perempuan not only frightens readers but represents women's suffering and critiques patriarchal structures.
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Nugroho, P. A., Widyatwati, K., Suryadi, M., Anggraeni, R. A., & Baihaqy, M. R. (2025). Dekonstruksi elemen horor dalam kumpulan cerpen Sihir Perempuan karya Intan Paramaditha. Diglosia: Jurnal Kajian Bahasa, Sastra, Dan Pengajarannya, 8(3), 755-766. https://doi.org/10.30872/diglosia.v8i3.1371
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Udang, F. C. (2019). Berhermeneutik bersama Derrida. Tumou Tou, 6(2), 117–127. https://doi.org/10.51667/tt.v6i2.148
Bakour, B. (2022). Deconstruction: Overview and critique. Al Hikmah International Journal, 5(4), 1–10. https://doi.org/10.46722/hikmah.v5i4j
Carroll, N. (1990). The philosophy of horror. Routledge.
Church, D. (2020). Post-horror: Art, genre and cultural elevation. Edinburgh University Press.
Contesi, F. (2020). Carroll on the emotion of horror. Projections: The Journal for Movies and Mind, 14(3), 47–54. https://doi.org/10.3167/proj.2020.140304
Deer, J. (2020). Deconstruction. In Oxford Research Encyclopedia of Literature. Oxford University Press. https://doi.org/10.1093/acrefore/9780190201098.013.1015
Delviany, V., Amril, M., & Dewi, E. (2024). Dekonstruksi Derrida dan metode istiqra’ al ma’nawi Imam Asy Syathibi dalam memahami teks Al-Qur’an. IHSANIKA: Jurnal Pendidikan Agama Islam, 2(3), 87–107. https://doi.org/10.59841/ihsanika.v2i2.1376
Erle, S., & Hendry, H. (2020). Monsters: Interdisciplinary explorations in monstrosity. Palgrave Communications, 6(1), 1–7. https://doi.org/10.1057/s41599-020-0428-1
Hamilton, J. (2020). Monsters and posttraumatic stress: An experiential-processing model of monster imagery in psychological therapy, film and television. Humanities and Social Sciences Communications, 7(1), 1–8. https://doi.org/10.1057/s41599-020-00628-2
Hartini, L. C., Sari, N. A., & Suhendi, I. D. (2022). Representasi monstrositas perempuan dalam kumpulan cerpen Sihir Perempuan karya Intan Paramaditha. Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya, 6(4), 1479–1488. https://doi.org/10.30872/jbssb.v6i4.7759
Heriyati, N. (2020). Dekonstruksi perempuan abjek dalam tiga cerpen karangan Intan Paramaditha. Wanastra: Jurnal Bahasa dan Sastra, 12(2), 259–265. https://doi.org/10.31294/w.v12i2.8782
Hick, D. H. (2022). Horror and its affects. Journal of Aesthetics and Art Criticism, 80(2), 140–150. https://doi.org/10.1093/jaac/kpab077
Kurniawan, M. L. D., Prasetyo, H., Wicaksono, A., & Akmal, F. U. (2019). Degradasi puitika dalam kontestasi literasi Cerita KKN di Desa Penari. Poetika, 7(2), 216–229. https://doi.org/10.22146/poetika.v7i2.51571
Lesmana, I. B. G. A. S., Udasmoro, W., & Hayuningsih, A. A. C. (2021). Konstruksi dan kontestasi kuasa perempuan pada naskah drama Les Bonnes karya Jean Genet. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, 4(1), 65–78. https://doi.org/10.30872/diglosia.v4i1.124
Mawaidi, & Nurhadi. (2021). Eksplorasi hantu perempuan dalam Sihir Perempuan karya Intan Paramaditha: Telaah konstruksi femininitas. Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya, 48(2), 167–176. https://doi.org/10.17977/um015v48i22020p0167
Nugroho, B. A. (2023). Rekonstruksi dominasi budaya patriarki dalam novel Geni Jora: Kajian psikoanalisis Erich Fromm. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, 6(1), 127–140. https://doi.org/10.30872/diglosia.v6i1.574
Nugroho, K. W. W., & Belasunda, R. (2025). Impact analysis of Indonesian top box office horror movies for Indonesian tourism destination. KnE Social Sciences, 10(2), 71–81. https://doi.org/10.18502/kss.v10i2.17879
Paramaditha, I. (2024). Sihir perempuan (3rd ed.). Gramedia Pustaka Utama.
Sikirivwa, M. K. (2020). Deconstruction theory and its background. American Journal of Humanities and Social Sciences Research, 4(4), 44–72. https://www.ajhssr.com/wp-content/uploads/2020/03/E20444472.pdf
Siregar, M. (2019). Kritik terhadap teori dekonstruksi Derrida. Journal of Urban Sociology, 2(1), 65–75. https://doi.org/10.30742/jus.v2i1.611
Suganda, N. P., Permadi, T., & Harini, Y. N. A. (2025). Refleksi sosial dalam antologi cerpen Kita Susah Tidur Sejak Dilahirkan karya Aksan Taqwin Embe. Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya, 8(1), 1–10.
Udang, F. C. (2019). Berhermeneutik bersama Derrida. Tumou Tou, 6(2), 117–127. https://doi.org/10.51667/tt.v6i2.148